#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
WITH THIS EYES (Bassline)
As recorded by Pretty Maids
(From the 1999 Album ANYTHING WORTH DOING IS WORTH OVERDOING)
Words and Music by Ronnie Atkins & Ken Hammer
Gtr I (E A D G) - 'Bass'
4/4
Gtr I
W W W H Q E S S
|----------|----------|----------|---------------|
|----------|----------|----------|-----------3-2-|
|----------|----------|----------|---------------|
|----------|----------|----------|---------------|
H H W W H Q E S S
|-----------|----------|----------|----------------|
|-0---------|----------|----------|-----------3-2--|
|-----------|----------|----------|----------------|
|-----------|----------|----------|----------------|
H H W W H Q. S S
|-----------|----------|----------|------0----0-2--|
|-0---------|----------|----------|----------------|
|-----------|----------|----------|----------------|
|-----------|----------|----------|----------------|
Q. E Q E E Q. E Q E E Q. E Q E E H +Q. E
|---------------|---------------|---------------|--------------|
|-3----3----3-3-|---------------|-3----3----3-3-|--------------|
|---------------|-3----3----3-3-|---------------|-1----(1)---1-|
|---------------|---------------|---------------|--------------|
Q. E Q E E Q. E Q E E H H H H
|---------------|---------------|-----------|------------|
|-3----3----3-3-|---------------|-----------|------------|
|---------------|-3----3----3-3-|-5----7----|-8----10----|
|---------------|---------------|-----------|------------|
H H H S S E +Q H H H Q E E
|-------------|---------------------|-----------|--------------|
|-------------|---------------------|-0---------|--------------|
|-------------|---------------------|------3----|-5----3--3-3--|
|-10----12----|-13----15---15-(15)--|-----------|--------------|
H H H Q Q H H H Q E E
|-----------|------------|-----------|-------------|
|-----------|------------|-----------|-------------|
|-1----3----|-1----------|-5----3----|-5----3--3-3-|
|-----------|------3-----|-----------|-------------|
H H H Q Q Q.. S S S E +E E Q.. S S S E +E E
|-----------|------------|---------------------|---------------------|
|-----------|------------|---------------------|---------------------|
|-1----3----|-1----------|-5-----5-3---3-(3)-3-|-5-----5-3---3-(3)-3-|
|-----------|------3-----|---------------------|---------------------|
Q.. S S S E +E E Q.. S Q. S S
|---------------------|---------0--------|
|---------------------|--------------3-2-|
|-1-----1-3---3-(3)-3-|-1-----1----------|
|---------------------|------------------|
Q.. S S S E +E E Q.. S S S E +E E
|---------------------|---------------------|
|-0-----0-------------|---------------------|
|---------3---3-(3)-3-|-5-----5-3---3-(3)-3-|
|---------------------|---------------------|
Q.. S S S E +E E Q.. S Q. S S
|---------------------|---------0----0-2-*|
|---------------------|------------------*|
|-1-----1-3---3-(3)-3-|-1-----1----------*|
|---------------------|------------------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths