#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
SPARTACUS
As recorded by The Fall Of Troy
(From the 2003 Album THE FALL OF TROY)
Transcribed by pieter kamps
Words and Music by The Fall Of Troy
Arranged by The Fall Of Troy
Gtr I (E A D G B E) - 'Thomas Erak Clean'
Gtr II (E A D G B E) - 'Thomas Erak Distorted'
Intro
Fast Rock Q.=72
N.C. N.C.
6/8
Gtr I
S S S S S S S S S S S S S S S S S S S S S S S S 4x
||--x-x---------x-x---------|-x-x---------x-x-----------||
||o-x-x-----x-x-x-x-----x-x-|-x-x-----x-x-x-x-----x-x--o||
||--x-x-x-x-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-x-x-x-x---||
||------x-x-x-x-----x-x-x-x-|-----x-x-x-x-----x-x-x-x---||
||o-----x-x---------x-x-----|-----x-x---------x-x------o||
||--------------------------|---------------------------||
Choruses
$
E/D#
Gtr II
S S S S E S S S S E S S S S E S S S S E
||----------------------|---------------------|
||o---------------------|---------------------|
||--8-8-8-8---8-8-8-8---|-8-8-8-8---8-8-8-8---|
||--x-x-x-x---x-x-x-x---|-x-x-x-x---x-x-x-x---|
||o-7-7-7-7---7-7-7-7---|-7-7-7-7---7-7-7-7---|
||----------0---------0-|---------0---------0-|
To Coda
G/F# A#/A G#/G G/F# F/E
S S S S E S S S S E S S S S S S S S S S S S
|-----------------------------|------------------------------------||
|-----------------------------|-----------------------------------o||
|-11-11-11-11---11-11-11-11---|-14-14-14-12-12-12-11-11-11-9-9-9---||
|--x--x--x--x----x--x--x--x---|--x--x--x--x--x--x--x--x--x-x-x-x---||
|-10-10-10-10---10-10-10-10---|-13-13-13-11-11-11-10-10-10-8-8-8--o||
|-------------0-------------0-|------------------------------------||
Verse
G/B
Gtr I
S S S S S S S S S S S S
||--7-----7-----7-----7-----|
||o-----0-----0-----0-----0-|
||----0-----0-----0-----0---|
||--------------------------|
||o-------------------------|
||--------------------------|
G/E G/D G/B
S S S S S S S S S S S S S S S S S S S S S S S S
|-12-----12-----10-----10-----|-7-----7-----7-----7-----|
|------0------0------0------0-|-----0-----0-----0-----0-|
|----0------0------0------0---|---0-----0-----0-----0---|
|-----------------------------|-------------------------|
|-----------------------------|-------------------------|
|-----------------------------|-------------------------|
1. 2.
D.S. al Coda
G/A# G/C G/A# G/C
Gtr II
S S S S S S S S S S S S S S S S S S S S S S S S
|-6-----6-----8-----8------||-6-----6-----8-8-8-8-8-8-|
|-----0-----0-----0-----0-o||-----0-----0-0-0-0-0-0-0-|
|---0-----0-----0-----0----||---0-----0---------------|
|--------------------------||-------------------------|
|-------------------------o||-------------------------|
|--------------------------||-------------------------|
Bridge
&
C C C C
Gtr II
PM--| PM--| PM--| PM--|
E S S E E S S E E S S E E S S E
|-------------------------|-------------------------|
|-------12----------12----|-------12----------12----|
|-------15b16-------15b16-|-------15b16-------15b16-|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
|-0-0-0-------0-0-0-------|-0-0-0-------0-0-0-------|
C C N.C.
PM--| PM--|
E S S E E S S E S S S S S S S S S S S S
|-------------------------|-------------------------------------|
|-------12----------12/---|-17p16h17p16h17p16h17p16h17p16h17p16-|
|-------15b16-------15b16-|-------------------------------------|
|-------------------------|-------------------------------------|
|-------------------------|-------------------------------------|
|-0-0-0-------0-0-0-------|-------------------------------------|
Outro
D5/E C D5/E C D5/E C D5/E C
PM----| PM----| PM----| PM----|
S S S S E S S S S E S S S S E S S S S E
|-----------------------------|-----------------------------|
|---------12------------12----|---------12------------12----|
|---------15b16---------15b16-|---------15b16---------15b16-|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
D5/E C D5/E C
PM----| PM----|
S S S S E S S S S E
|------------------------------|
|---------15------------15-----|
|---------18b19---------18b19--|
|-0-0-0-0-------0-0-0-0--------|
|-0-0-0-0-------0-0-0-0--------|
|-0-0-0-0-------0-0-0-0--------|
D5/E C D5/E C D5/E C D5/E C
PM----| PM----| PM----| PM----|
S S S S E S S S S E S S S S E S S S S E
|-----------------------------|-----------------------------|
|---------15------------15----|---------17------------17----|
|---------18b19---------18b19-|---------20b21---------20b21-|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
|-0-0-0-0-------0-0-0-0-------|-0-0-0-0-------0-0-0-0-------|
D5/E C D5/E C
PM----| PM----|
S S S S E S S S S E
|------------------------------|
|---------17------------17-----|
|---------20b21---------20b21--|
|-0-0-0-0-------0-0-0-0--------|
|-0-0-0-0-------0-0-0-0--------|
|-0-0-0-0-------0-0-0-0--------|
E C E C E C E C E C E C
S S S S S S S S S S S S
|-------------------------------------|
|-17-17-17-17-17-17-17-17-17-17-17-17-|
|-21p20-21p20-21p20-21p20-21p20-21p20-|
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
A#/A G/F# F#/F E/D# E/D#
S S S S S S S S S S S S e. E. Q.
|----------------------------------|------------*|
|----------------------------------|------------*|
|-14-14-14-12-12-12-11-11-11-9-9-9-|-8----------*|
|--x--x--x--x--x--x--x--x--x-x-x-x-|-x----------*|
|-13-13-13-11-11-11-10-10-10-8-8-8-|-7----------*|
|----------------------------------|------------*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Artist: The Fall Of Troy
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