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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
JUST THE SAME
based of Phil Keaggy's performance at Wheaton College.
Acoustic Gtr (D A D G B E) or 1 half-step down from that
main riff A G F D repeat
|-5-------5-------------------------5---3-----------2-------------|
|-5h7p5---5h7p5---------------------5---3-----------3-------------|
|-------7-------7-7---------7-------5---4-----------2-------------|
|-----------------7h9p7-7---7-------5---5---3---0---0-------------|
|-----------------------7h9---9p7s5-7---5---3---0-----------0-2-5-|
|-----------------------------------7---5---3---0-------3-4-------|
alternate ending riff
|---------------------------------|
|---------------------------------|
|-----------------0h2p0---0-------|
|-----------0-3-4-------3-------0-|
|-----0-2-3-----------------3s5---|
|-3-4-----------------------------|
verse.
I included an example of a hammer on that might take place in the first chord.
|-5---5-5---3-----------2---|---------------------2-|
|-5---5-5---3-----------3---|-----1---3-----------3-|
|-5---5-5---4-----------2---|-----0---0---3---5---2-|
|-5---5-5---x---3---0---0---|-----2---0---3---5---0-|
|-7---5h7---5---3---0-------|-0h2-3---2---1---3-----|
|-7---5h7---5---3---0-------|-----------------------|
|-5---4---3---2-------------------2-------------|-5-------5-------------------------|
|-6---5---4---3---1---3-----------3-------------|-5h7p5---5h7p5---------------------|
|-5---4---3---2---0---0---3---5---2-------------|-------7-------7-7---------7-------|
|-0---0---0---0---2---0---3---5---0-------------|-----------------7h9p7-7---7-------|
|-----------------3---2---1---3-----------0-2-5-|-----------------------7h9---9p7s5-|
|-------------------------------------3-4-------|-----------------------------------|
Chorus
|-0---3-----------2-----------5-------5--------------------------|
|-1---3-----------3-----------5h7p5---5h7p5----------------------|
|-2---4-----------2-----------------7-------7-7---------7--------|
|-2---x---3---0---0---------------------------7h9p7-7---7--------|
|-0---5---3---0---------0-2-5-----------------------7h9---9p7s5--|
|-----5---3---0-----3-4------------------------------------------|
Phil uses an odd technique for this chord progression.
He uses his index finger to hit the C in the first chord, then the usual fingering for D7
after that, the G is brought out by using his pinky on the fifth fret.
|-------------------0----|
|-3-3---3---3-3-----1----|
|-5-5---0---5-5-----0----|
|-3h4---5---3h4-----2----|
|-5-5---5---5-5-----0----|
|------------------------|
Any other solos or riffs are improvised in D minor
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site