#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
FITRAT
As recorded by Entity Paradigm (From the 2003 Album IRTIQA)
Transcribed by Syed Atif Ali (atifsyedali@yahoo.com)
Gtr I (E A D G B E) - 'Clean through flanger and small wah then Overdriven'
See legend at the bottom to understand timing by W,H,Q,E,S letters.
4/4
W
Gtr I
~ ~~ ~ ~~
W E E E E Q W E E E E W E E E E Q H E E E E E E E Q E Q E Q E E E Q
|------------------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------------------|
|-8-12-13-12\-10\-8-13-12-13-12\-10\-8-12-13-12\-10\-8-13-13-13-13-13-13-13-13-13-13-12-12-10-8-7-8-10-|
|------------------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------------------|
T Q E Q E H E E E E E E Q E E E Q E E E Q E Q E Q E E E E E E E
|----------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------|
|-11/-13-13-11-11-10b11r10-10-10-7-8-7---7-8-7-------------------------------------------|
|--------------------------------------8-------8-8h10p8-6-6-4-4-3-3/-4\-3\-1/-3/-4\-3----|
|----------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------|
T T T
T Q E Q E Q E E E Q T Q E Q E Q S S S S S H E E E E E E E E E E E E E E
|----------------------------------------------------------------------------------------------------------|
|-----------------------------------------------------------------------15-------13-------15-------13------|
|10/-13-13-12-12-10-8-7-8-10-11/-13-13-11-11-10h11p10h11p10h11p10-10-11----10-11----10-11----10-11----10-11|
|----------------------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------------------|
T T T T T ~~
E T T T E E E E E E W
|--------------------------------------|
|-13-----------------------------------|
|----10h11h16-10-11-10\-8\-6\-4/-11----|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
E Q Q Q E Q E E E E E E
|------------------|----------------------|
|------------------|-----------9----------|
|------------------|-----10-11---11-10----|
|-9/-11--11--11--9-|-11----------------11-|
|-7/--9---9---9--7-|--9-------------------|
|------------------|----------------------|
E E Q Q Q E Q E E E E E E E
|------------------|---------------------|-------|
|------------------|-------------9-------|-------|
|------------------|-------10-11---11-10-|-------|
|-9-9/-11--11--11--|-9-11----------------|-11-9--|
|---7/--9---9---9--|-7--9----------------|-------|
|------------------|---------------------|-------|
E Q Q Q E Q E E E E E E
|------------------|-----------9----------|
|------------------|----------------------|
|------------------|-----10-11---11-10----|
|-9/-11--11--11--9-|-11----------------11-|
|-7/--9---9---9--7-|--9-------------------|
|------------------|----------------------|
E E E E E E E E E E S S S S S S E
|---12-15-15-12-15-15-12-14-14/-15/-14-12/-14\-12\-10\-8-|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-9------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
E Q Q Q E Q E E E E E E
|------------------|----------------------|
|------------------|-----------9----------|
|------------------|-----10-11---11-10----|
|-9/-11--11--11--9-|-11----------------11-|
|-7/--9---9---9--7-|--9-------------------|
|------------------|----------------------|
E E Q Q Q E Q E E E E E E E
|------------------|---------------------|-------|
|------------------|-------------9-------|-------|
|------------------|-------10-11---11-10-|-------|
|-9-9/-11--11--11--|-9-11----------------|-11-9--|
|---7/--9---9---9--|-7--9----------------|-------|
|------------------|---------------------|-------|
T T T
E E E E E E E E E E E E E E W H W W
|----------------------|-------------------------------------------|
|----------------------|-------------------------------------------|
|-11p10p7-10p7p5-11p10p|=7-10p7p5-11p10p7-16b17.5-14b15.5-13b14----|
|----------------------|-------------------------------------------|
|----------------------|-------------------------------------------|
|----------------------|-------------------------------------------|
E S S E E E E E H
|-----------------------|----|
|-----------------------|----|
|------------------7----|----|
|-7-7/-9-9-9-7-9-7-7----|----|
|-7-7/-7-7-7-7-9-7-5----|----|
|-5-5/-7-7-7-5-7-5------|----|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
** Generated using Power Tab Editor by Brad Larsen:
Artist: Entity Paradigm
Click to get the code!