#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
APPROACHING (Bassline)
As recorded by Pagan's Mind
(From the 2002 Album CELESTIAL ENTRANCE)
Transcribed by Ryan A. Silke
Words by (instrumental) Music by Pagan's Mind
Arranged by Pagan's Mind
Gtr I (B E A D G) - 'Bass Guitar'
AtmosphericOrgan 0:410
Q=93
8/8
Gtr I
W W
|----------|------|
|----------|------|
|----------|------|
|----------|------|
|----------|------|
Enter Band 1:25
8/8
E E E E E E E S S E E E E S S S S S S S S
|-------------------|-------------------------|
|-------------------|-------------------------|
|-------------------|-------------------------|
|-------------------|-------------------------|
|-3---------------3-|-3---------3---3---3---3-|
E E E E E E E E S T T S S S S S S S T T S S S S E
|-----------------|-7-6-6-6---6-----------------------|
|-----------------|---------8---8-7-5-4-5-5-4---------|
|-----------------|---------------------------6-5-----|
|-----------------|-----------------------------------|
|-3---------------|-----------------------------------|
Q=97
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------7-7-6-6-----|
|---------------------------------|-----------------8-8---------8-7-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-----------------|
|---------------------------------|---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---9-----8-----7-----6-----------|
|---------------------------------|-7---7-6---6-5---5-4---4-3-2-1-0-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|---------------------------------|
|---------------------------------|---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------3-3-2-2-----|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-4-4---------4-1-|
S S S S S S S S S S S S S S S S S S S T T S S S S S S S S S S S S
|---------------------------------|------------------------------------|
|---------------------------------|-----4-5-5-4-----------4-5-7-5-8-7--|
|---------------------------------|-5-6---------6-5-3-5-6--------------|
|---------------------------------|------------------------------------|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|------------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------7-7-6-6-----|
|---------------------------------|-----------------8-8---------8-7-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-----------------|
|---------------------------------|---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---9-----8-----7-----6-----------|
|---------------------------------|-7---7-6---6-5---5-4---4-3-2-1-0-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-|---------------------------------|
|---------------------------------|---------------------------------|
Part Two 2:05
Q=85
E. e. E +H E. e. E +H
|----------------|----------------|
|----------------|----------------|
|----------------|----------------|
|----------------|----------------|
|-3--3--3-(3)----|-3--3--3-(3)----|
E. e. E +H H H
|----------------|-----------|
|----------------|-----------|
|----5-----------|-----------|
|----------------|-3----1----|
|-3-----3-(3)----|-----------|
E. e. E +H E. e. E +H
|----------------|----------------|
|----------------|----------------|
|-------5-(5)----|-------1-(1)----|
|----5-----------|----1-----------|
|-3--------------|-3--------------|
E. e. E +H Q +E +S S S S S S S S S S
|----------------|------------------------------|
|----------------|------------------------------|
|-5--------------|------------0-1---0-----------|
|----5-----------|-3--(3)-(3)-----3---1-3-0-1-0-|
|-------3-(3)----|------------------------------|
2:27
E. Q S S S Q S S E. Q S E Q E
|--------------------|----------------|
|--------------------|----------------|
|--------------------|----------------|
|--------------------|----------------|
|-3--3--1-3-1-3--1-2-|-3--3--1-3-3--1-|
E. Q S S S Q E Q +E +S S S S S S S S S S
|------------------|------------------------------|
|------------------|------------------------------|
|------------------|------------0-1---0-----------|
|------------------|-3--(3)-(3)-----3---1-3-0-1-0-|
|-3--3--1-3-1-3--3-|------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-3-3-1-2-3-3-3-1-3-3-1-3-3-1-3-1-|-3-3-1-3-3-3-3-1-3-3-1-3-3-1-3-1-|
S S S S S S S S S S S S S S S S S S S S S S S S H
|---------------------------------|----------------------*|
|---------------------------------|----------------------*|
|---------------------------------|----------------------*|
|---------------------------------|-3-3-3-3-3-3-3-3------*|
|-1-3-3-1-3-3-1-3-3-3-1-3-3-3-1-3-|-----------------2----*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Artist: Pagans Mind
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